And by big changes, I mean new direction, new cast and a fresh start. After 10 years, I am getting pretty burned out on the comic, it's not that I am out of ideas, its just that I am kind of tired of writing the same characters in the same situations over and over. I need a fresh start, and I think that change will be good.
The idea is to almost have 2 separate comics going, one with the new cast and one with the old, so that I can sort of switch between them as I need a break. Basically, Curt is going to be tired of trying to make it as a homeless guy in Minneapolis, with the cold winter having kicked his ass. After calling in one last favor for some owed money, he hops a bus for somewhere warmer in the hopes of starting a new life. He ends up in a new city, with no idea where to go once he's there and meets a new cast of misfits.
First off is a friendly but naive red-haired stripper who passes him on the street and gives him a few bucks. Curt immediately latches on because of his issues with women and need to try to fix people, and what better a "project" than this? His self-righteousness in full gear, he strikes up a friendship, which leads her to getting him a job at her friend's gay bar, run by...
The next member of the cast, the proprietor of said establishment, a mid thirties gay man with a sense of humor but a bit of a chip on his shoulder. I really want to avoid gay stereotypes here, so my goal is to have the character be "incidentally gay," that is, not have it be his defining characteristic, as I feel that is often the case with writers scripting people "different" than themselves, be it orientation, race, or beliefs.
My big goal is to write more flawed and human characters. One of the hard things about the original cast was originally, I wrote them as, I guess, my ideal people, ridiculously good hearted, witty, smart, and so they all sort of ended up the same. In the early strips, even now, a lot of the characters are totally interchangeable. I had to sort of wedge in flaws and make up reasons for them to be more interesting, like Chip's drug problems. But I think a lot of that is forced because it's like, "okay, where did this come from?" It doesn't really work when characters that were previously shiny examples of leftist idealism suddenly become fucked-up drug addled smut-peddlers or whatever.

Right now these are just ideas, I am still fleshing things out, but I am feeling excited about ideas I am having and I am working on some cool character designs. Keep reading, things should get interesting!
The idea is to almost have 2 separate comics going, one with the new cast and one with the old, so that I can sort of switch between them as I need a break. Basically, Curt is going to be tired of trying to make it as a homeless guy in Minneapolis, with the cold winter having kicked his ass. After calling in one last favor for some owed money, he hops a bus for somewhere warmer in the hopes of starting a new life. He ends up in a new city, with no idea where to go once he's there and meets a new cast of misfits.
First off is a friendly but naive red-haired stripper who passes him on the street and gives him a few bucks. Curt immediately latches on because of his issues with women and need to try to fix people, and what better a "project" than this? His self-righteousness in full gear, he strikes up a friendship, which leads her to getting him a job at her friend's gay bar, run by...
The next member of the cast, the proprietor of said establishment, a mid thirties gay man with a sense of humor but a bit of a chip on his shoulder. I really want to avoid gay stereotypes here, so my goal is to have the character be "incidentally gay," that is, not have it be his defining characteristic, as I feel that is often the case with writers scripting people "different" than themselves, be it orientation, race, or beliefs.
My big goal is to write more flawed and human characters. One of the hard things about the original cast was originally, I wrote them as, I guess, my ideal people, ridiculously good hearted, witty, smart, and so they all sort of ended up the same. In the early strips, even now, a lot of the characters are totally interchangeable. I had to sort of wedge in flaws and make up reasons for them to be more interesting, like Chip's drug problems. But I think a lot of that is forced because it's like, "okay, where did this come from?" It doesn't really work when characters that were previously shiny examples of leftist idealism suddenly become fucked-up drug addled smut-peddlers or whatever.
Right now these are just ideas, I am still fleshing things out, but I am feeling excited about ideas I am having and I am working on some cool character designs. Keep reading, things should get interesting!
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